Generated by Fable · below the evidence/publication boundary
One thousand and one — an impossible number anyway: in the Nights it means more than can be counted. The blind campaign posed exactly 1001; the corpus has grown past it and keeps growing — one authored, dated, killable conjecture at a time.
1,107 posed — and counting · measured against the literature (1001 authoritative verdicts): 95 already answered · 843 anticipated — never tested · 50 no prior located · 0 provisional · 15 resolved (6 supported / 4 killed)
Falsifiable conjectures about the pre-print world. The founding thousand and one were generated blind by Fable, a frontier AI, then judged, one dated literature-search each: 95 already answered by the literature, 843 anticipated but never tested, 50 with no prior located — verdicts independently audited by a second model (45-verdict sample; none overturned). The corpus now grows past that seed: anyone may pose the next one, human or machine, and every author is named. Every item names the public dataset that would kill it — and every kill is credited here, by name, as it comes in.
The conjectures are a public preview of a much larger inference project, coming shortly.
Why these conjectures matter — the account, written by the model under examination → · The noetome, measured: gradient, quadrant map & the corpus judging itself → · The Most-Wanted 52 →
Filter
Clear all filtersSpecialist axes — method, instrument, provenance and more.
Showing 1–23 of 23 matching conjectures.
The Yule process — the preferential-attachment mathematics behind power laws in citations, city sizes, and web links — is here applied to the medieval book world. A text gets copied because copies of it exist to be found and read: every extant…
Parchment is made from animal skins, so a sheet of vellum is effectively a livestock derivative — every codex embodies a slaughtered calf, sheep, or goat. This ties the medieval book trade to the health of the herd: when a cattle plague…
Medieval Easter tables list several parallel columns — golden number, epact, dominical letter, indiction — each computed from the same underlying calendrical cycles, so any one column can in principle be re-derived from the others. That mutual derivability is exactly the structure…
Scribes routinely closed their work with self-deprecating apologies — “forgive the faults of the unworthy scribe” — and the naive reading treats these as confessions from careless copyists. The claim inverts that: such formulae are costly quality signals, the mark of a…
When binders needed stiffening material they cannibalised old manuscripts, cutting them into the waste fragments now recovered from bindings. The naive model treats this as physical wear-out — books used until they fell apart — which would produce a smooth aging hazard.…
Monastic scribes copied in the gaps left by the agricultural year, bending to the pen most heavily in the dead of winter when the fields demanded nothing; urban professional copyists, decoupled from farm labour, worked to a flat year-round rhythm driven by…
A scribe copying from an exemplar in front of him makes errors of the eye — confusing letters that look alike — whereas a scribe taking down a text read aloud, as in dictation or the pecia system of mass university production,…
Guido of Arezzo's staff notation — the 11th-century invention that fixed pitches on lines rather than leaving them to memory-jogging squiggles — is here treated as an error-correcting code, and its effect on transmission is claimed to be discontinuous rather than gradual.…
Radiocarbon dating works because decay happens at a constant rate; the conjecture is that manuscript copying does too. Scribes make errors, and within a single scriptorium — same training, same exemplars, same working conditions — the rate of new errors introduced per…
Joins the cognitive psychology of recall to the stemmatics of oral law. The serial-position curve is among psychology's oldest findings: in reproducing a fixed sequence, people hold the beginning and end best and blur the middle. Iceland's law was exactly such a…
The cutting-stock problem of operations research — how to cut standard stock into pieces with minimal waste — meets codicology. This conjecture holds that parchment page sizes were not aesthetic free choices but near-optimal cuts of animal skins: a skin is a…
Packet-switched content distribution splits a file into chunks that travel independently and reassemble at the destination; the medieval university book trade did the same with texts. Under the pecia system, stationers chunked an exemplar into pieces rented out separately, so a single…
Connects the classroom habitus of glossing to stemmatic topology: a schooltext lived its life open beside other copies, its margins stuffed with variants and explanations that the next copyist promoted into the text, while a rarely read historian was copied once a…
Joins the cataloguer's oldest headache — incipit drift — to prosody as an error-correcting code operating exactly where texts are most vulnerable: openings, which suffer lost first leaves, added prologues, and scribal throat-clearing. A verse work's first lines are locked by rhyme…
Connects the world's longest translation chain — Kalila and Dimna from Sanskrit through Middle Persian and Arabic into Syriac, Greek, Hebrew, Latin, and Castilian — to a two-speed model of what a book is to its transmitters: chapters are detachable assets that…
Connects frame-tale morphology to accretion dynamics: some frames advertise a number — seven sages telling set tales, ten narrators times ten days — and some advertise only survival-by-storytelling, an open valve. A counted frame makes every insertion a visible breach of contract…
Bestiary images descend copy by copy, but the copyist's eye corrects toward nature only where nature is available: a fox or hedgehog is re-anchored by daily perception, while a crocodile, whale, or bonnacon is pure graphic descent with no external referent. Iconographic…
Pattern sheets travelled as outline drawings with colour given verbally — the Göttingen Model Book literally writes out its recipes — while copying from a finished exemplar transmits paint by eye but forces a freehand redraw. Two transmission channels, opposite bandwidths: model-book…
Chrysography and gold-leaf image grounds drew on the same budget line, the same material stock, and the same specialist hours, and they address different audiences — the reader and the beholder. The naive luxury model says richer books have more of both;…
Insular interlace obeys strict under-over alternation, and its rare violations are treated as random lapses. The conjecture: the slips are structural — they concentrate where the drawing process broke off, at panel joins, pigment-field boundaries, and day-work seams — so error positions…
Ornament in stained glass — border types, diaper grounds, grisaille foliage — is studied inside glass scholarship, but glaziers stocked their cartoon chests from painters' books. Ornament families should therefore appear in dated manuscripts before dated glass of the same region, with…
The deluxe illuminated copy and the textually best copy of a work are systematically different books: illumination routes production through commercial ateliers optimizing appearance, schedule, and a lay patron's ear — smoothing hard readings as they go — while plain copies made…
Bas-de-page drolleries look like free invention scattered at whim, but the planner's and patron's attention concentrated at the liturgical divisions, where the opening had to perform. If marginal invention is budgeted attention rather than a programme, drollery density and inventiveness should decay…