One Thousand and One Conjectures

Data collapse from critical phenomena meets manuscript transmission: Greek works at large and Byzantine book epigrams are different genres copied under different incentives, yet their witness-count distributions should collapse onto a single curve after rescaling by the mean, because textual survival has…

Letter-order mutations in attested abecedaria (transpositions, insertions, deletions) accumulate roughly per teaching generation along the alphabet's transmission tree.

The number of scripts in active use in a region scales with its interaction volume the way species richness scales with island area.

Oral-epic formulas are redundancy bits: formula density should rise with local information load (names, numbers, catalogs) within Homeric and South Slavic lines. Falsify: corpus regression.

Vedic oral transmission's error rate per syllable-century is orders of magnitude below manuscript copying of comparable Sanskrit texts — quantify both for the first time. Falsify: Rigveda variant counts vs Mahābhārata manuscript variance.

Comparing Chinese, Korean, Japanese, and Arabic records of the same celestial events yields a censorship index: Chinese omissions should cluster in usurpation and legitimacy-crisis decades. Falsify: comparative event catalogs.

Its repeated-glyph statistics should match the Markov structure of recitation genealogies, not prose language. Falsify: sequence entropy against chant corpora.

Joins capture-recapture ecology to Greek philology: works attested by exactly one and exactly two witnesses play the role of singleton and doubleton species, so the Pinakes witness-count table is an ecological sample from which the size of the lost Greek library is…

This connects the well-known devaluation of the ijaza into a formality with the rhetoric of the document itself. As real audition decayed into blanket and even to-whom-it-may-concern licenses, the certificate lost evidentiary content; the conjecture is that the parchment compensated. Neither the…

This connects paper-trade standardization with the size distribution of surviving books. Paper left the mill in named full-sheet formats, and books were cut as the full sheet, its half, its quarter, its eighth; a warraq's stock was a ladder, not a continuum.…

This connects the known takeover of the Islamic paper market by European mills with a datable moving boundary in the codicological record. Watermarked Italian paper displaced Oriental laid paper, but not everywhere at once: it should have swept as a front, arriving…

This connects the near-monopoly of one Qurʾanic transmission (Hafs ʿan ʿAsim) in the later manuscript record with imperial book provisioning rather than early canon dynamics. Regional readings, Warsh, Qalun, al-Duri, held substantial shares of the copied record for centuries. The conjecture: the…

This connects art patronage with textual growth in the Persian epic tradition. Shahnama copies vary by thousands of verses, and the variation is usually treated as scribal drift. The conjecture: interpolation was patron-driven. A royal commission was a completeness market, the fullest…

This connects library ecology with the age structure of surviving copies. In high-churn metropolitan book markets, old copies were superseded, sold off, and scrapped: replacement, not catastrophe, is the great killer of early exemplars. Yemen's Zaydi libraries sat in a low-churn ecology,…

The institutional roster of the state translation assembly (yichang) — which included a dedicated zhengzi orthography-rectifier and a bishou receiver — should be legible in the statistics of Sanskrit-name transliteration. A solo translator spells a foreign name as it comes to him…

Taboo observance is a writing-time behavior, but block recutting is a tracing-time behavior — a Yuan workshop recutting a Song edition pastes the old print face-down and cuts what it sees, so the dead dynasty's omitted strokes ride through untouched, while a…

Whether the empire printed or brushed a monumental compilation was decided by intended copies, never by size — blocks are a fixed cost recouped over impressions, so a work wanted in three copies is cheaper brushed however vast it is. The canons,…

The Tripitaka Koreana's 80,000-plus blocks at Haeinsa include later recut replacements among the 13th-century originals, and blocks die two ways: randomly (wood defects, accidents — uniform across the canon) or by use (inking, printing, handling — concentrated where prints were demanded). If…